The Smurl Haunting

Possession

A family's claims of demonic activity brought the Warrens and exorcists to their duplex home.

1986
West Pittston, Pennsylvania, USA
10+ witnesses

The Smurl family haunting remains one of the most controversial and divisive cases in the annals of American demonology. What began as minor domestic disturbances in a modest duplex in West Pittston, Pennsylvania, escalated over the course of several years into a full-scale siege of alleged demonic proportions—complete with physical assaults, apparitions, foul odors, and phenomena so extreme that the family eventually sought the intervention of the Catholic Church, renowned paranormal investigators Ed and Lorraine Warren, and ultimately, multiple exorcists. Whether one views the case as a genuine confrontation with malevolent spiritual forces or as a cautionary tale about suggestion, media influence, and the power of belief, the Smurl haunting irrevocably shaped the landscape of demonic possession claims in late twentieth-century America and established a template that would be repeated, with variations, in the decades that followed.

The Chase Street Duplex

The story begins with the house itself, a semi-detached duplex at 328 Chase Street in West Pittston, a small borough in Luzerne County nestled in the Wyoming Valley of northeastern Pennsylvania. The region had long been defined by its coal mining heritage, its tight-knit communities of working-class families, and its Catholic parishes, which served as the spiritual and social centers of daily life. It was a place where faith was woven into the fabric of existence, where people attended Mass regularly and took the teachings of the Church seriously. This cultural backdrop would prove significant as events unfolded, providing both the framework through which the Smurls interpreted their experiences and the institutional resources they would eventually call upon for help.

Jack and Janet Smurl moved into one half of the duplex in 1973, with Jack’s parents, John and Mary Smurl, occupying the adjoining unit. The arrangement was common in the valley—extended families sharing close quarters, pooling resources, and supporting one another through the economic uncertainties that plagued the region after the decline of the mining industry. The house was unremarkable in every outward respect, a working-class home on a quiet residential street, distinguished from its neighbors only by the events that would later bring it to national attention.

For the first several years, life on Chase Street proceeded normally. Jack worked as a neuropsychiatric technician, Janet managed the household and raised their growing family, and the elder Smurls enjoyed their retirement in the connected unit. The family attended church, maintained their property, and lived the kind of ordinary, stable existence that characterized their community. Nothing in those early years hinted at the extraordinary claims that would eventually emerge from behind the duplex’s unremarkable exterior.

The First Disturbances

According to the Smurls’ account, the first signs of something unusual appeared in 1974, roughly a year after they moved in. A stain materialized on a new carpet with no identifiable source. A television set burst into flames spontaneously. Water pipes leaked despite repeated repairs. Taken individually, these incidents were easily dismissed as the mundane frustrations of homeownership—an aging house settling on its foundation, faulty wiring, plumbing past its prime. The Smurls treated them as such, addressing each problem as it arose and thinking no more of it.

But the disturbances did not stop. Over the following years, they accumulated in ways that began to strain the boundaries of ordinary explanation. Scratching sounds emanated from the walls, particularly at night. Drawers opened and closed on their own. Footsteps echoed through empty rooms. Toilets flushed repeatedly without anyone near them. An unplugged radio began playing on its own. The temperature in certain rooms would plummet without warning, even in the height of summer, creating cold spots that moved through the house as if something unseen were passing from room to room.

By the early 1980s, the phenomena had intensified to a degree that the family could no longer rationalize. Deep gashes appeared in woodwork and walls overnight, as if scored by claws. A rocking chair moved on its own, swaying back and forth with the measured rhythm of an unseen occupant. The family dog was found cowering in corners, whimpering at something invisible. A putrid stench—described variously as resembling rotting flesh, sulfur, or raw sewage—would fill rooms without warning and dissipate just as suddenly, leaving no trace of its origin.

The escalation followed a pattern that demonologists would later describe as textbook. What began as minor annoyances designed to test the family’s resolve progressed to overt displays of power intended to instill fear, and from there to direct physical confrontation. The Smurls reported being pushed, scratched, and slapped by invisible hands. Janet claimed to have been thrown across a room. Jack described being held down in his bed by an unseen force. Most disturbing of all, both Jack and Janet separately reported sexual assaults by what they described as an incubus and a succubus—invisible entities that violated them while they lay paralyzed and helpless.

The Apparitions

As the physical disturbances intensified, the Smurls began to report visual manifestations that defied any conventional explanation. The most terrifying of these was the appearance of a dark, shadowy figure that seemed to materialize in hallways and doorways, a massive humanoid shape that radiated malevolence. Family members described feeling an overwhelming sense of dread in its presence, a primal fear that went beyond anything they had experienced before.

Even more disturbing was the apparition that both Jack and Janet independently described as a pig-like creature. This entity appeared on multiple occasions, sometimes partially materializing so that only its face was visible—a grotesque, porcine visage with dark eyes that watched the family with what they perceived as intelligence and hatred. The creature appeared to take pleasure in the family’s terror, manifesting at moments calculated to cause maximum distress. Its appearances were often accompanied by the foul stench that had become a recurring feature of the haunting and by a dramatic drop in temperature that left the air feeling thick and oppressive.

Shadowy forms were also seen moving through both halves of the duplex, suggesting that whatever inhabited the house did not respect the physical boundary between the two units. John and Mary Smurl, in their adjoining home, reported their own experiences with unexplained phenomena, though these were generally less severe than those described by Jack and Janet. The elder Smurls heard the same footsteps, smelled the same odors, and occasionally glimpsed the same dark shapes, creating the impression that the entire property was under siege.

The Warrens Arrive

By 1986, the Smurls were desperate. Their parish priest had been sympathetic but ultimately unable to help, and the local diocese had been reluctant to become involved in a case that might attract unwanted publicity. It was at this point that the family contacted Ed and Lorraine Warren, the Connecticut-based paranormal investigators whose involvement in the Amityville Horror case a decade earlier had made them the most famous—and most controversial—figures in American demonology.

Ed Warren, a self-taught demonologist who claimed recognition from the Catholic Church, and Lorraine, who described herself as a clairvoyant and light trance medium, arrived at the Chase Street duplex prepared to find evidence of demonic infestation. Their methodology was well established by this point: Lorraine would use her psychic abilities to sense the spiritual atmosphere of the location, while Ed would document physical evidence and coordinate with clergy to arrange whatever religious interventions might be necessary.

Lorraine reportedly sensed the presence of multiple entities upon entering the home. She described four spirits inhabiting the duplex—three minor spirits and one powerful demon that she identified as the source of the most violent manifestations. According to the Warrens, the demon had drawn the lesser spirits to the location and was using them as instruments to torment the family, weakening their resolve and their faith as a prelude to outright possession.

The Warrens documented cold spots throughout the house, recorded what they claimed were anomalous sounds, and photographed areas where Lorraine detected spiritual activity. Ed conducted interviews with each family member, carefully cataloging their experiences and looking for the patterns of escalation that he believed characterized genuine demonic cases. The Warrens concluded that the Smurl home was not merely haunted but demonically infested—a distinction they considered critical, as it determined the type of intervention required.

The Exorcisms

Armed with the Warrens’ assessment, the Smurls petitioned the Catholic Diocese of Scranton for an exorcism. The request placed the diocese in an uncomfortable position. The Catholic Church has long maintained official protocols for exorcism, codified in the Rituale Romanum, but bishops have historically been reluctant to authorize the rite, aware of the theological, legal, and public relations complications that can arise. The Smurl case, already attracting media attention, was precisely the kind of situation that diocesan officials preferred to avoid.

Nevertheless, an exorcism was eventually arranged. The first attempt, conducted by a priest whose identity was not publicly disclosed, followed the traditional Catholic ritual—prayers, invocations, holy water, and commands directed at the entity to depart in the name of Christ. According to the Smurls and the Warrens, the exorcism produced dramatic immediate effects. The house shook, temperatures plummeted, and an unearthly sound filled the rooms. For a brief period following the ritual, the disturbances ceased entirely, and the family dared to hope that their ordeal was over.

Their relief was short-lived. Within weeks, the phenomena returned with renewed ferocity, as if the attempted exorcism had enraged whatever occupied the house rather than expelling it. The manifestations that followed were described as the most violent yet—furniture was overturned, family members were physically attacked, and the dark apparitions appeared with increasing frequency. The Warrens interpreted this escalation as confirmation that they were dealing with a particularly powerful demon, one that would not be easily dislodged.

A second exorcism was performed, and then a third. Each followed the same pattern: initial success followed by a resurgence of activity that seemed worse than before. The Smurls described living in a state of perpetual siege, unable to sleep, unable to relax, constantly bracing for the next assault. The strain on the family was immense, affecting their health, their relationships, and their ability to function in daily life. Yet they remained in the house, a decision that would later become one of the most criticized aspects of their story.

Additional clergy were brought in to assist, including, according to some accounts, a priest experienced in cases of demonic oppression who traveled from out of state to lend his expertise. The spiritual warfare, as the Warrens characterized it, continued over a period of months, with prayers, blessings, and rituals performed repeatedly in an effort to cleanse the home. The family also undertook their own spiritual disciplines—attending Mass daily, praying the rosary, and maintaining what their advisors described as a state of grace intended to deny the demon any foothold in their souls.

Media Firestorm and Public Scrutiny

The Smurl case exploded into public consciousness in 1986 when the family, frustrated by what they perceived as the diocese’s insufficient response, went to the media. Their story was covered extensively by local and then national news outlets, transforming a private family crisis into a public spectacle. Television crews camped outside the Chase Street duplex, reporters knocked on neighbors’ doors seeking corroboration, and the quiet borough of West Pittston found itself at the center of a media storm it had never anticipated.

The publicity brought both support and skepticism. Some viewers and readers were moved by the family’s apparent suffering and wrote letters of encouragement, offered prayers, and even volunteered to help. Others were deeply suspicious, questioning the family’s motives and the credibility of their claims. The involvement of the Warrens, whose own reputation was a subject of fierce debate within both the paranormal community and the broader public, further polarized opinion.

Critics raised pointed questions. Why had no neighbors witnessed any of the dramatic phenomena the Smurls described? In a duplex with shared walls, how could events of such violence occur without being heard or felt next door—except by family members who had a stake in the story? Why did the family remain in the house if conditions were truly as unbearable as they claimed? And why did the most extreme manifestations always seem to occur when no independent witnesses were present?

The Smurls’ neighbors were largely unsupportive of the family’s claims. Those interviewed by reporters stated that they had never witnessed anything unusual at the Chase Street property—no strange sounds, no foul odors, no apparitions. Some expressed open skepticism, suggesting that the family was either delusional or seeking attention. Others were more charitable but still unconvinced, noting that the Smurls had always seemed like a normal, unremarkable family and that nothing in their behavior had suggested they were living through a supernatural ordeal.

The Book and the Movie

The Smurl case was eventually chronicled in a 1991 book, “The Haunted,” written by Robert Curran with the cooperation of Jack and Janet Smurl. The book presented the family’s account in detail, describing the escalating phenomena, the Warrens’ investigation, and the multiple exorcisms in vivid, often harrowing prose. It became a modest bestseller, finding an audience among readers fascinated by accounts of demonic activity and real-life horror.

In 1991, the book was adapted into a television movie of the same name, starring Sally Kirkland and Jeffrey DeMunn as Janet and Jack Smurl. The film dramatized the family’s ordeal, taking certain liberties with the timeline and details for narrative purposes but largely adhering to the account presented in the book. The movie brought the Smurl story to an even wider audience and cemented its place in the popular culture of American hauntings.

The commercial dimension of the case—the book deal, the movie rights, the paid speaking appearances—provided ammunition for skeptics who questioned whether financial incentive had influenced the family’s claims. The Smurls denied that profit was their motivation, insisting that they had gone public only to draw attention to their plight and to encourage the Church to take their case more seriously. But the perception that they had profited from their story lingered, coloring public judgment of the case and raising questions about the reliability of their account.

Legacy and Assessment

The Smurl haunting occupies an ambiguous but undeniably significant place in the history of American paranormal claims. For believers, it represents a well-documented case of demonic infestation and the power of faith to ultimately overcome evil. The family’s persistence, their willingness to endure years of torment rather than abandon their home, and their reliance on prayer and sacramental intervention are seen as testimony to the reality of spiritual warfare and the efficacy of the Church’s ancient rituals.

For skeptics, the case illustrates the dangers of credulity, the influence of cultural expectations on perception, and the way that media attention can amplify and distort personal experiences. The absence of independent corroboration, the involvement of the controversial Warrens, and the commercial exploitation of the story all undermine its credibility in the eyes of those who demand rigorous evidence for extraordinary claims.

What is beyond dispute is the case’s influence on subsequent accounts of demonic activity in America. The Smurl haunting, along with the Amityville case and the Warrens’ other investigations, helped establish a recognizable narrative template for demon house stories—the ordinary family, the escalating disturbances, the ineffectual initial responses, the dramatic exorcisms, and the eventual resolution through faith and perseverance. This template has been repeated in countless books, films, and television programs, shaping public expectations about what demonic infestation looks like and how it unfolds.

The Smurls eventually moved away from Chase Street, and subsequent occupants of the duplex reported no unusual phenomena—a fact that skeptics cite as evidence against a genuine haunting and that believers explain by noting that demonic entities often attach themselves to people rather than places. The family maintained the truth of their account until their deaths, never wavering from the story they had told from the beginning.

Whatever the ultimate truth of what happened on Chase Street, the Smurl haunting endures as a case study in the collision between faith and skepticism, between private experience and public scrutiny, between the desire to believe and the demand for proof. It reminds us that the question of demonic activity is never purely a matter of evidence—it is also a question of worldview, of what we are prepared to accept as possible, and of how we interpret experiences that resist easy explanation. In the quiet neighborhoods of West Pittston, where the old duplex still stands on its ordinary street, the debate continues, as unresolved and as compelling as the day the Smurls first told the world that something dark had come to live among them.

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