Lizzie Borden House
The site of the infamous 1892 axe murders is now a bed and breakfast where guests sleep in the rooms where Andrew and Abby Borden died. Strange sounds, apparitions, and unsettling experiences await overnight visitors.
There is a children’s rhyme that has echoed through American playgrounds for more than a century, its sing-song cadence masking the horror of its subject: “Lizzie Borden took an axe, gave her mother forty whacks. When she saw what she had done, gave her father forty-one.” The numbers are wrong — the actual blows were eighteen and eleven — but the rhyme’s endurance speaks to the grip that the Borden murders have maintained on the American imagination since August 4, 1892. On that sweltering summer morning in Fall River, Massachusetts, Andrew Borden and his wife Abby were hacked to death with a hatchet in their own home, and Andrew’s daughter Lizzie was tried and acquitted of the crimes in a case that divided the nation. The house where the murders occurred still stands at 230 Second Street, and it now serves a purpose that its original occupants could never have imagined: it operates as a bed and breakfast where paying guests can sleep in the very rooms where Andrew and Abby Borden died. Many of those guests report that they do not sleep alone. The Borden house, saturated with the violence of its most infamous day, appears to retain something of those who perished within its walls. Footsteps on empty staircases, the sound of a woman weeping, shadows that move without source, and the sensation of an unseen presence watching from the corners — these are the nightly companions of those brave enough to spend the night where Lizzie Borden’s parents breathed their last.
The Bordens of Fall River
The Borden family occupied a peculiar position in Fall River’s social hierarchy. Andrew Borden was one of the wealthiest men in the city, with extensive holdings in real estate, banking, and manufacturing. His personal fortune at the time of his death was estimated at the equivalent of several million dollars in today’s currency. Yet Andrew was famously, almost pathologically frugal. He refused to install indoor plumbing in the family home long after it had become standard in houses of comparable standing. The house at 230 Second Street was modest by the standards of his wealth — a narrow, two-and-a-half-story dwelling in a middle-class neighborhood, not the grand residence that a man of his means might have been expected to occupy.
Andrew’s parsimony was a source of considerable tension within the family. His daughters, Lizzie and her older sister Emma, chafed at their father’s refusal to live in a manner commensurate with his wealth. The social implications were significant: in the rigidly stratified society of Gilded Age New England, one’s home and lifestyle were markers of class and standing. The Borden daughters found themselves in the awkward position of being wealthy on paper while living as though they were merely comfortable.
Abby Durfee Gray became Andrew’s second wife in 1865, three years after the death of his first wife, Sarah Morse Borden, the mother of Lizzie and Emma. The relationship between the Borden daughters and their stepmother was strained from the beginning and deteriorated over the years. Lizzie, in particular, refused to call Abby “mother,” addressing her instead as “Mrs. Borden.” The family dynamics at 230 Second Street were characterized by simmering resentment, emotional distance, and the kind of sustained, low-level hostility that can poison a household over years and decades.
The house itself reflected these tensions. The Bordens had divided the home into separate living areas, with Andrew and Abby occupying one section and the daughters another. Doors between sections were kept locked. Family members passed one another in the narrow hallways with minimal interaction. The house was, in effect, two separate residences sharing a single structure — an architectural expression of the family’s emotional fractures.
August 4, 1892: The Murders
The morning of August 4, 1892 was oppressively hot, part of a heat wave that had settled over southern New England. The temperature would reach the mid-nineties by midday, and the air was thick with humidity. Inside the Borden house, the family went about their morning routines with the slow deliberation that extreme heat imposes.
Andrew Borden left the house after breakfast to attend to business in the city center. The only other people in the house, according to the subsequent investigation, were Abby Borden, Lizzie Borden, and Bridget Sullivan, the family’s Irish maid. Emma Borden was away visiting friends in another town, an absence that would figure in the subsequent investigation.
At some point during the morning — the exact time has been debated for over a century — Abby Borden was attacked in the upstairs guest room while she was making the bed. She was struck multiple times with a hatchet or similar implement, sustaining eighteen blows to the head and back. The first blow was likely fatal; the subsequent blows were overkill, suggesting rage, desperation, or both. Abby’s body fell between the bed and the dresser, where it lay undiscovered for approximately ninety minutes.
Andrew Borden returned home around 10:30 AM and lay down on the sofa in the sitting room to rest. He was attacked as he lay there, receiving eleven blows to the head and face. The assault was so violent that his features were rendered unrecognizable. The weapon — never conclusively identified — was wielded with tremendous force, splitting the skull and destroying the soft tissue beneath.
Lizzie Borden raised the alarm shortly after 11:00 AM, calling to Bridget Sullivan that her father had been killed. The police arrived within minutes, and the investigation that followed would become one of the most closely scrutinized in American criminal history.
The Trial and Acquittal
Lizzie Borden was arrested on August 11, one week after the murders. The evidence against her was circumstantial but considerable. She was the only person known to have been in the house at the time of both murders. She had attempted to purchase prussic acid (hydrogen cyanide) from a pharmacy the day before the killings, though the purchase was refused. She burned a dress in the kitchen stove three days after the murders, claiming it was stained with paint. Her account of her movements during the morning was inconsistent and implausible, shifting between versions as she was questioned.
The trial, held in June 1893, was a national sensation. The courtroom was packed daily, and newspapers across the country devoted extensive coverage to every development. The prosecution presented a circumstantial case built on opportunity, motive, and Lizzie’s suspicious behavior before and after the murders. The defense attacked the lack of direct evidence — no murder weapon was conclusively identified, no bloodstained clothing was found, and no witness placed Lizzie at the scene of either killing.
The jury deliberated for approximately ninety minutes before returning a verdict of not guilty. The decision was met with mixed reactions. Many in Fall River believed Lizzie was guilty and that she had escaped justice through the advantages of her social class and gender — the Victorian assumption that a well-bred woman was incapable of such savage violence worked powerfully in her favor. Others accepted the verdict as the proper outcome of a case built on insufficient evidence.
Lizzie Borden lived the rest of her life in Fall River, purchasing a grand house on the fashionable Hill section of the city that she named Maplecroft. She lived there with her sister Emma until a falling-out between the two in 1905 led Emma to move away permanently. Lizzie died on June 1, 1927, largely ostracized by Fall River society and still shadowed by the suspicion that had followed her since that August morning thirty-five years earlier.
The murders were never solved. No other suspect was ever seriously pursued, and the case remains officially open to this day.
The House Becomes a Shrine
The house at 230 Second Street passed through various hands after the murders, serving as a private residence for much of the twentieth century. In 1996, it was converted into the Lizzie Borden Bed and Breakfast Museum, a business model that capitalized on the enduring public fascination with the case while providing access to one of America’s most notorious crime scenes.
Guests at the bed and breakfast can choose from several rooms, including the room where Andrew Borden was killed (now part of a suite that incorporates the sitting room and adjacent parlor) and the upstairs guest room where Abby Borden died. The house has been furnished in period-appropriate style, recreating as closely as possible the appearance it would have had on the morning of August 4, 1892. The sofa where Andrew lay when he was attacked, or a reproduction of it, occupies its original position. The guest room bed where Abby was making the bed when she was struck stands in its original location.
The experience of sleeping in a room where someone was violently murdered is, understandably, not for everyone. But the bed and breakfast has attracted a steady stream of guests over the years — true crime enthusiasts, paranormal investigators, history buffs, and thrill seekers who want to test their nerves in one of America’s most famous murder houses. Many of them have reported experiences that suggest the house has retained something of its violent past.
The Hauntings
The paranormal activity reported at the Lizzie Borden House spans the full spectrum of haunting phenomena, from subtle sensory impressions to dramatic visual apparitions. The consistency of reports across thousands of overnight guests over multiple decades has established the house as one of the most actively haunted locations in the United States.
The most commonly reported phenomenon is the sound of footsteps. Guests sleeping in the upstairs rooms describe hearing footsteps on the staircase at hours when no other guests or staff members are present. The footsteps are typically described as deliberate and measured, the tread of someone ascending or descending the narrow stairs with unhurried purpose. Some guests report hearing the footsteps stop outside their door, followed by silence — as though the walker has paused to listen or observe before continuing on their way.
The sound of a woman weeping is the second most frequently reported phenomenon. The crying is typically heard late at night, emanating from no identifiable source. It is soft and sustained, the sound of deep, hopeless grief rather than sudden shock or pain. Some guests have attributed the weeping to Abby Borden, perhaps mourning her own death or the violence that consumed her home. Others have suggested Lizzie herself, weeping for what she had done or for what she had lost in its aftermath.
Cold spots are reported throughout the house but are particularly pronounced in the guest room where Abby was killed and in the sitting room where Andrew died. These temperature anomalies are described as sharply localized — a pocket of frigid air in an otherwise warm room, cold enough to raise goosebumps and cause visible condensation of breath. The cold spots move and dissipate unpredictably, appearing in one location and vanishing moments later.
The Apparitions
Visual manifestations at the Borden House are less common than auditory phenomena but are reported with sufficient frequency to constitute a significant body of evidence. The apparitions typically take one of several forms, each associated with a specific location in the house.
In the sitting room where Andrew Borden was killed, guests and staff have reported seeing the figure of an elderly man lying on the sofa. The figure appears in period clothing, his features indistinct, lying in the position in which Andrew was found after his murder. The apparition is typically brief — a few seconds of visibility before fading from sight. Some witnesses report that the figure’s face appears damaged or disfigured, consistent with the injuries Andrew sustained.
In the upstairs guest room, a female figure has been reported, apparently engaged in the act of making a bed. The figure is described as a heavyset woman in the dress of the late nineteenth century, bending over the bed with her back to the observer. She is seen for only moments before vanishing, as though the observer has glimpsed a fragment of the past — the last moments of Abby Borden’s life frozen in perpetual repetition.
Shadow figures — dark, human-shaped outlines lacking detail or features — are reported throughout the house, particularly in the hallways and on the staircase. These figures move with apparent purpose, walking through the house as though going about daily business, before dissolving into the ambient darkness. Some witnesses describe the shadow figures as aware of their presence, turning toward them or pausing as though startled before vanishing.
Bridget Sullivan’s Ghost
A third spirit is believed by some investigators to haunt the Borden House: that of Bridget Sullivan, the family’s maid and the only other person known to have been in the house at the time of the murders. Bridget, who went by the nickname “Maggie” (a generic name the Bordens gave all their maids), was a key witness at the trial and gave testimony that neither clearly implicated nor fully exonerated Lizzie.
Bridget’s ghost, if it is she, is associated with the basement and the kitchen areas of the house. Sounds of someone working — scrubbing, sweeping, the clatter of dishes — have been reported from the kitchen when it is unoccupied. The smell of cooking or washing soap has been detected in areas where no food is being prepared and no cleaning products are present. Some investigators have suggested that Bridget’s spirit continues to perform the domestic duties that defined her life, an echo of servitude that persists beyond death.
The possibility of multiple spirits in the house raises intriguing questions about the nature of the haunting. If Andrew, Abby, and Bridget are all present, they coexist in death as they coexisted in life — sharing a house while occupying separate spaces, their interactions minimal and their purposes private. The house that divided them in life may divide them still, each spirit confined to its own domain within the narrow walls of 230 Second Street.
Paranormal Investigations
The Lizzie Borden House has been the subject of numerous formal paranormal investigations, and it has become one of the most investigated haunted locations in America. Teams from various organizations have spent nights in the house with full arrays of detection equipment, and the results have been provocative if not conclusive.
Electronic voice phenomena (EVP) captures are among the most frequently cited forms of evidence from the house. Investigators have recorded what they interpret as voices responding to questions, speaking names, and making statements related to the events of August 4, 1892. While EVP evidence is controversial — critics argue that the “voices” are artifacts of audio processing or examples of pareidolia — the sheer volume of captures from the Borden House is noteworthy.
Electromagnetic field meters have registered anomalous readings in areas associated with the murders, particularly in the sitting room and the guest room. Temperature monitoring has confirmed the cold spots reported by guests, recording localized drops of several degrees in areas with no apparent drafts or ventilation sources. Motion sensors have been triggered in empty rooms, and cameras have captured light anomalies and what some investigators interpret as misty figures.
The cumulative evidence from decades of investigation does not constitute scientific proof of a haunting, but it provides a body of data consistent with the subjective experiences reported by guests. The house appears to be an actively anomalous location, producing measurable phenomena that correlate with witness reports.
The Weight of History
The Lizzie Borden House is haunted as much by history as by any spectral presence. The murders of Andrew and Abby Borden were acts of extreme violence committed in a small, enclosed space, and the emotional resonance of that violence permeates the house like smoke in fabric. Guests who enter the sitting room knowing that a man was hacked to death on the sofa before them cannot help but be affected by that knowledge, and the line between psychological suggestion and genuine paranormal experience is impossible to draw with certainty.
Yet the reports persist, generated by guests who range from hardened skeptics to devoted believers, from people deeply knowledgeable about the case to visitors who arrived knowing nothing more than the children’s rhyme. The consistency of the reports across this spectrum of witnesses — the footsteps, the weeping, the cold spots, the shadowy figures — suggests that something beyond mere suggestion is at work in the house on Second Street.
Whether Andrew and Abby Borden truly walk the rooms where they died, whether Bridget Sullivan still scrubs the kitchen floor in an afterlife of perpetual servitude, whether the violence of that August morning left an imprint on the house’s fabric that continues to manifest more than a century later — these questions cannot be answered with certainty. What can be said is that the Lizzie Borden House remains one of America’s most compelling haunted locations, a place where the most famous unsolved murder in the nation’s history continues to make its presence felt, night after night, in the footsteps on the stairs and the weeping in the dark.
The case was never solved. The guilty party was never identified. And in the house at 230 Second Street, someone — or something — still walks, still weeps, and still waits in the rooms where the Bordens met their end. Perhaps the spirits are seeking justice. Perhaps they are merely reliving the worst moment of their existence. Or perhaps the house itself remembers what happened within its walls, and in its own mute, wooden way, refuses to let anyone forget.
Sources
- Wikipedia search: “Lizzie Borden House”
- Society for Psychical Research — SPR proceedings, peer-reviewed psychical research since 1882
- Library of Congress — American Folklife Center — American folklore archive
- Chronicling America — Historic US newspapers (1690–1963)